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Today, eight of South Australia’s leading youth arts organisations launched a new report highlighting the essential role of creativity in the lives and wellbeing of children and young people. The Youth Arts Collective, comprised of Carclew, Slingsby, South Australian Circus Centre (Home of Cirkidz), Patch Theatre, Adelaide Youth Orchestras, Windmill Theatre Company, Riverland Youth Theatre,…
It’s our great pleasure to reveal the artists selected for our brand-new theatre development program, Indie-mill. Launching in July 2025, Indie-mill sees Windmill championing new, independent theatre made for family audiences. The program provides paid creative development opportunities for South Australian artists to pitch original concepts, assemble their favourite collaborators and access the full scope…
Our season of experimentation. Windmill has announced its program for 2025, and it’s a little different than usual. With experimentation at the heart of the program, the year sees the introduction of two new initiatives, a regional South Australian tour, national and international touring and three works in development. The company kicks off the year…
Launching in 2025, the Little Board will serve as an advisory group, offering a fresh perspective on our programming, providing valuable feedback on performances, outreach programs and content direction. By engaging with the Little Board regularly, we can address young people’s changing needs and interests. Input from the Little Board will support us to continue…
Hey actors! A heads up, we’ll be hosting open auditions for South Australian-based actors in March 2025. This is an opportunity for performers to showcase their skills and get to know our new(ish) Artistic Director, Clare Watson, as well as the company’s producers. While these auditions are not linked to a specific role or production,…
Meet Fleur. She’s the co-creator, co-designer and performer in Creation Creation. We asked her some questions about the show and what it was like to make. 1. What was the creative process like in making Creation Creation? It was fun! It involved a lot of talking about and listening to weird and wonderful ideas, and then finding…
TARDIGRADES TAKE THE STAGE IN WINDMILL THEATRE COMPANY’S 2024 SEASON A myth-busting duo return to the stage, an iconic character hits the road, and a world premiere about planet Earth’s most unlikely action movie heroes are all in store of Clare Watson’s first season as Artistic Director of Windmill Theatre Company. “I’ve been a huge…
Chiara Gabrielli reflects on three years with Quokka! You’ve been with Quokka for a long time. What can you tell us about your journey together with Hiccup? This year is Quokka and my third year together, and it only gets more fun and silly each time, honestly. It is always a joyous moment when you…
Chair of Windmill Theatre Company, Richard Harris, today announced that Clare Watson has been appointed as the incoming Artistic Director of Windmill Theatre Company. Clare is an award-winning director who has held senior artistic positions across the country. Most recently, Clare wasthe Artistic Director of Perth’s Black Swan State Theatre Company which saw her transform the…
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Everywhere Windmill wanders we walk softly, we speak respectfully, we hold integrity, we collaborate and create while honouring the truth of reconciliation and the true history of this country.
We know that the land on which we create our work is sacred. We know there were many tribal family clans here before us and we now sit beside them. We acknowledge the tribal family clans who are known today as the Kaurna Meyunna, the first peoples of this place. We respect all Aboriginal and Torres Strait Islander people from across this sacred land which is known today as Australia.
Written by Karl Winda Telfer, Burka – Senior Cultural and Spiritual Custodian, Mullawirra Meyunna – the Dry Forest People, Southern Country
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